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四片羽毛：1939，Brownface and White Supremacy in Cinema
1
哈瑞打小就在家里受夹板气，他当大元帅的爸爸就是看不上他，连个12岁生日都过不好，特别是听到了这句话： There is no place in England for a coward. War is war, men are men。
哈瑞不缺少独立的思想，他不愿意被洗脑，学一个侵略者侵入中国，苏丹，去当殖民地的走狗。他宁可当懦夫，在家里清醒的活着。
可是朋友们赠送给他的4根羽毛，说明他是懦夫，刺激他去完成任务。
2
在1902年梅森的小说原著当中，杜伦茨上尉就是受到基希纳将军的指派，把苏非教团吸引走引开，让英国大军能够渡过尼罗河
Colonial discourse, such as cinema, increases the possibility of the colonizing white men’s social identities, while it strips away black people’s social identity. White colonizers have the option of “going native” when donning brownface, such as in the case of Harry Feversham in The Four Feathers and both the historical and fictional Sir Lawrence. Both ventures were dangerous and Lawrence did not achieve certain goals he set out to achieve. Rendered in colonial cinema
哈利在狱中把羽毛给崔屈的时候，崔眼里含着泪水，笑声之下藏了太多的言语，出口只是“就是为了一根小小的羽毛”？
勇敢，智慧，坚毅，爱有多重呢？就是一根小小的羽毛。
当因害怕战争而辞职之时，父亲与其断绝关系，无法面对爱人，好友已踏入战场......生活已然地覆天翻。他仍然胆怯，依旧恐惧。”你横穿整个沙漠，却说你害怕面对朋友，那你来沙漠干嘛?","To help, if I can"。他不是为了荣誉，梦想，光荣而来，是为了”stand by your left","stand by your right"的朋友，为了逃避艾萨林的爱。
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留给第二遍再续。
Seize the day, to make a difference, to make yourself somebody!
四片羽毛：1939，Brownface and White Supremacy in Cinema
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