故事是真人真事改编，迈克尔道格拉斯是当之无愧的主角，把李勃拉齐本人演得活灵活现。虽然说，李勃拉齐本人究竟是个什么样，其实也不太清楚。
但是其本人获得的巨大成功是毋庸置疑的，于是乎他就有了能力在浮华背后随心所欲。
由于取向问题，大多的女孩子逃过一劫。不过少年的呆萌就没这么好命，一不小心就上了贼船。
少不更事的呆萌小绵羊一只，哪里是老奸巨猾的道格拉斯的对手，再加上唾手可得的享受，很快呆萌就乖乖束手就擒。
虽然，呆萌看到道格拉斯本尊
At the end of the day, it all comes down to an end. - That's what landed in my mind, sadly, when I hit the pause button of the video player at around 15 minutes toward the end of the film, where Lee, the "superior" pianist, evicted Scott, his longtime companion, out of the mansion. It was a phone call that interrupted my session with this film at the moment, yet ironically as "meant-to-be" as it may seem, that epiphany has stayed, more or less unrevised, even after I finished the film later on. - Yes, even after I witnessed the touching, moment-of-truth ending that arched backward. - Call me a pessimist on relationship.
一直觉得史蒂文·索德伯格 Steven Soderbergh被高估是主观事实，但不得不承认他的几部传记类影片都还拍得不错。
特别是近几年一直用的柔焦和滤镜与影片需要的氛围形成了某种暧昧特色，而矫饰的影片包装如同迈克尔·道格拉斯 Michael Douglas拉平的脸一样与人物形成某种和谐。
当然剧本提供了在详述私生活之外的人性可悲和人性弱点，一些值得思考的人文关怀。两位明星奉献了超乎预期的开放式表演和化学效应，这也是影片可观性较强的主要因素。
引人入胜！烛火尘光里，声色到天明——别样传记片之《烛台背后》
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