French New Wave is famous on developing Auteur theory, when the directors become the authors of their films, they are able to put their personal thinking and lived experiences into the narrative, as the point of view to show through the characters. In the film called Cleo from 5 to 7 (1962), director Agnès Varda as a female also feminist, she revealed the awakening of a girl’s inner self, through a beauty who named Cleo’s experience during a day.
『人人都宠爱我 却没有人爱我』
当克莱奥说出这句话的时候，内心无比悲凉的。
这样的模式从何而来？
反观她和周围人的关系，大概就能知道答案。
面对女仆的好意和周到安排，她接受，哪怕是迷信的。
对待情人，她总是精致打扮，不给对方惹麻烦，不显露自己已经患病的现实。
制作人逗她笑并不是真的关心她，而是为了和她一起完成作品。
再听那些歌曲的歌词，大意便是女性在意美貌，去取悦他人。
光鲜亮丽的生活中，她是没有真实自我的。
她委屈求全，害怕别人不爱她，果然也没有人真正爱她。
“五至七时的克莱奥”《五点到七点的克莱奥》电影剧本
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