这个导演的方法令我印象深刻,他很擅长用道具完成隐秘的叙事,用突兀、鲁莽、不合常理的行动轨迹去划破平衡和谐、宁静美好的画面,甚至于让某些司空见惯的现象在注视下变得怪诞与诡异,而最不屑于用语言加以诠释,以此来建立他所需要的符号。
是的,他摒弃了不同语境之间的交易,没有隐喻而充满象征,那只是带有强烈指向的某种间接的意象——对某些概念符号略显生涩的再定义。为此,他可以把香榭丽舍直接装扮成时装周T台的模样,或者干脆把巴黎想象成一件祛魅的肤浅的当季时装
看完電影後想去巴勒斯坦
To Palestine.
出現在螢幕時,留在腦海中的除了如畫的
Stone House, stone Cafe, Old lane in Town
還有
“All nations drink in order to forget, except us Palestinians who drink in order to remember.”
“From Nazareth. I am a Palestinian from Palestine, not from Israel.”
Taxi driver went crazy when he learned suleiman is a Palestinian. He called his wife, “Have you ever seen a Palestinian in your life?” $#
【必是天堂】部分画面解读猜想
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