虽然杨绛在近百岁时才写出《我们仨》，伊斯特伍德八十岁时在电影里思考、探讨死亡的问题，已经算不得早了。
这个片子提出了很多问题而没有给出任何结论，所以看起来非常累。关于那些逝去的亲人，有多少真相是我们其实没有准备去面对的？有多少伤害真的会随着他们的逝去而停止破坏我们的生活？又有多少依恋必须要忍痛舍弃我们才可以继续生活？
三个相对独立的故事里，最打动我的是那对双胞胎兄弟的故事。这个世界上没有一个人可以跟你同时走完所有的路。莫说是兄弟，就是夫妻，能够同时走到最后一步的都凤毛麟角，而被人看作传奇。所以无论一个人有怎样的亲情、友情、爱情，也一定要清楚：有一些时间，有一些事情，是需要自己一个人面对的。
年幼的Marcus怀念逝去的双胞胎哥哥而含泪说：“Don’t go, Jason. Please! I need you.”那时候，好想把他搂在怀里，一边抚摸他的头，一边轻轻告诉他：“孩子，没事。他希望在没有他的情况下，你也能继续长大。是的，不但你，我们每一个人，都需要长大。”
Hereafter is also the book name the heroine, a French successful female compere, wrote in the movie to describe what will happen after human die after she survived in the Indonesia tsunami.
The hero named George in this movie is a psychic that can reading one's death relative after touch his or her hand. For him this ability is not gift whereas curse. He meet the heroine at London book fair in his journey which he want to himself after he was fired.
He also meet the another hero of this movie, the younger one of the twins in a single parents family with a poor mother both in materially and psychological.He meet George help him to read his elder passed about 1 year ago.
Wateriness and smooth story, but remarkable and deeply.
从今以后：骇浪•暗涌•寂灭－－《往生以后》（Hereafter）
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